Line array speakers
TSF W-110BP two-way modules, flown or ground-stacked in white. Even coverage from the dance floor to the last table.
See the sound systemThe only all-white event production kit in Las Vegas. White line array speakers, white subwoofers, white stage monitors and white moving-head lights — every piece that stands in the open in a ballroom, finished to match the room instead of fighting it. Same sound, same output, same price as black. Better photographs.
Touring production is black because it disappears in a dark room. A Las Vegas ballroom is the opposite room: cream walls, pale drape, white linen, chandeliers up. Bring black boxes into that and they become the highest-contrast object in every wide shot your photographer takes.
Speakers and lights are the two things that cannot be dressed out of the way. A PA has to stand in the open, pointed at the room. Moving heads have to hang where they can see the floor. So those are exactly the pieces we finish in white. The event lasts an evening; the photographs last considerably longer.
The longer case for white →Finished in white, built to a professional touring standard, and loaded with LaVoce Italiana drivers on the audio side. The finish is cosmetic; the performance is not.
TSF W-110BP two-way modules, flown or ground-stacked in white. Even coverage from the dance floor to the last table.
See the sound system
TSF W-181BP, the low end you feel rather than hear, in a white cabinet that sits under the hang without becoming a black block on the floor.
See the sound system
TSF CV-152MP wedges, angled at the performer. White, because a monitor sits at the front of the stage in every ceremony and speech photograph.
See the sound system
DMX moving heads in white housings, on overhead truss or free-standing totems. Same wash, same beam, and the housing takes the room's color instead of absorbing it.
See the lighting rigs
The whole sound system — line array mains, subwoofers and stage monitors — and our moving-head wash and beam lights. These are the pieces that stand in the open in a ballroom and land in every wide photograph, so those are the pieces we finish in white.
Wedding and corporate venues in Las Vegas are light rooms: cream walls, pale drape, white linen, chandeliers. Black speakers become the highest-contrast object in every wide shot. White cabinets read at the same value as the room, so the photographs show the guests and the flowers rather than the PA.
The finish changes nothing about the sound. Our cabinets are high-grade boxes built to a professional touring standard and loaded with drivers from LaVoce Italiana, the renowned Italian transducer maker. A white box that sounded thin would defeat the purpose.
No. The rate is the same as it would be for black. White shows every scuff, so it costs us more to maintain — that is our problem rather than yours, and it is the reason most rental houses do not bother.
Yes. The housing is white; the output is the same wash and beam you would get from a black fixture. The bonus is that white housings take the room's color — wash the ballroom amber and the fixtures go amber with it instead of sitting there as black boxes.
A genuinely dark room — a theater, a concert, a nightclub — or a set deliberately designed as a black box. We will say so when that is the case. For weddings, galas, conferences, corporate parties and trade shows in Las Vegas, white wins.
Tell us the venue, the date and the guest count. We spec the white sound and lighting to the room and come back the same working day.